For all the documentary's focus on Quatro's role as a trailblazing woman in rock, the film also serves as an intriguing and entertaining overview of her career.
What are people saying?
What are critics saying?
In some sense, Quatro was Jett before Jett was really Jett — laying down the leather law when no female rocker had yet managed the combination of sex appeal and pure machisma.
An interesting if rote, talking head–style film about a woman for whom fame was a constant battle but whose shadow stretched longer than her slight frame, a point highlighted often (if not always convincingly) throughout Suzi Q.
The Guardian by Leslie Felperin
This is a fan-servicing but not necessarily hagiographic documentary.
Through it all, Quatro comes off as “I did it my way” defiant, a fascinating survivor still looked up to by women who were motivated to get into music, thanks to her.
RogerEbert.com by Sheila O'Malley
Suzi Q is a portrait of Quatro's journey and her influence on the generations that came after. Most importantly, it is a history lesson for those who may not be aware of Quatro. As Joan Jett, one of the many people interviewed, says, "[Suzi] really should be one of those people who should be much more discussed, much more in the lexicon of musicians—especially being so early."
The Hollywood Reporter by Sheri Linden
As a glimpse at the nitty-gritty of building a music career in the '60s and '70s, the film is instructive, though the record-by-record trajectory could have been tighter. Tracing the ups and downs and stops and starts, Firmager sometimes lands in the weeds and loses the beat. The film is strongest in its portrait of the formative years of Quatro's career and their emotional residue, which turns out to be the core of this chronicle.
As much as the film makes it clear that she deserves more recognition and appreciation in her own country, it suggests that she deserves it in her own family, too.