By the time it reaches its broad, emotionally manipulative finale, it does have some refreshingly optimistic ideas about small, sacrificial gestures making a difference and that choosing emotion over logic while dooming us in other zombie movies is also what makes humanity worth saving in the first place.
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Peninsula feels like the work of an artist who misunderstood his past triumph, squandering his talent for the sake of a pandering, halfhearted encore.
Yeon eventually just throws his hands up and surrenders to the cheesy spectacle of it all with a frenzied third act that finds the entire cast in a death race to the border. It’s here — in an amusingly unmoored but ultimately exhausting sequence that looks like someone trying to recreate “Fury Road” on a Nintendo 64 — that Yeon stops being able to afford his own ambition, and the film’s budget suddenly feels like a rubber band stretched over a hula-hoop.
Director Yeon Sang-ho, who staged genuinely tense sequences in the first film, just seems suddenly out of his element here when expected to produce a grander action spectacle.
Relentlessly episodic and missing the taut focus of the first film, Peninsula compensates with overkill, populating the screen with long-stretches of CGI action (Yeon’s background is in animation) including nighttime car chases and oodles of zombie splatter.
Whereas most of the movie takes place in a grubby, blue-tinged murk — a blend of hokey day-for-night lensing and virtual set extensions that’s badly suited for home viewing, but might look frightening in darkened theaters — day breaks just in time for a big, Michael Bay-style climax. The film has clipped along at a reasonably brisk pace until this point, only to downshift into a laughably protracted slow-motion finale, full of gratuitous lens flares and overwrought strings.
Peninsula combines components from I Am Legend, Mad Max, and the Fast & Furious series for a nonsensical joy ride that, while entertaining, lacks the sharpness of its predecessor.
“Peninsula” is basically a digital effects dumbing down of “Train to Busan.”
The A.V. Club by Shannon Miller
While the first Train To Busan was an affecting, character-driven tale of grief and redemption, Peninsula flounders in generic spectacle. Even fans may wonder if there are any bones left to pick on this franchise.