The leads gurn gamely, Ben Batt’s villain oozes menace and Golden directs energetically, but the climactic twists are as convincing as pills made of washing powder.
What are people saying?
What are critics saying?
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Time Out London by Cath Clarke
From the opening voiceover to the out-of-their-heads party scenes, it’s utterly generic.
40
A bang-on soundtrack will make the hairs on ex-ravers' necks stand up. The plot will have the opposite effect.
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The Guardian by Peter Bradshaw
It's rammed with cliches and silliness and conforms to a lot of stereotypes, the most suspect being the obligatory scene in Ibiza whose only purpose is to show loads of young women with no tops on.
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Every turn Karl Golden’s cheeky-chappie comedy-drama about the early-Nineties rave scene takes is a little less original or convincing.