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The Mustang

✭ ✭ ✭ ✭   Read critic reviews

France, Belgium · 2019
Rated R · 1h 36m
Director Laure de Clermont-Tonnerre
Starring Matthias Schoenaerts, Jason Mitchell, Gideon Adlon, Connie Britton
Genre Drama

Roman, a prisoner in Nevada, is required to participate in a social rehabilitation program. Spotted by a veteran trainer and helped by an outgoing fellow inmate, he is accepted into the selective wild horse training section. Taming an especially feisty mustang, Roman rediscovers his humanity by once again facing his violent past.

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What are critics saying?

83

The A.V. Club by Allison Shoemaker

It’s all well-trod territory. And yet — and here’s another cliché — The Mustang breathes new life into most of those conventions, thanks in no small part to Schoenaerts and his remarkable work.

83

The Film Stage by Dan Mecca

The prison drama is a well-worn sub-genre, ripe with predictive beats and expected narrative turns. Those behind this picture are determined to subvert those expectations, and the attempt–though not fully realized–is much appreciated.

75

IndieWire by David Ehrlich

A tense prison drama that’s penned into the trappings of a classic Western, The Mustang is a small movie about a subtle transformation, but its closing moments — however contrived they might be — are as touching as they are unexpected.

80

The Hollywood Reporter by John DeFore

De Clermont-Tonnerre shows admirable restraint, knowing that, in her carefully constructed frames, it can be enough just to get Roman's newly compassionate eyes into a close-up with the expressionless eye of a horse.

80

Los Angeles Times by Kenneth Turan

Fascinating and frequently compelling, The Mustang is a hybrid, the unlikely combination of genres you wouldn’t think go together but are able to coexist thanks to an exceptional leading performance.

83

Entertainment Weekly by Leah Greenblatt

First-time feature filmmaker Laure de Clermont-Tonnerre brings a gorgeous, wide-open sparseness to her visual storytelling (it makes sense that Robert Redford, the original Sundance Kid, is listed as an executive producer), but it’s largely Schoenaerts’ movie to carry.

80

Rolling Stone by Peter Travers

Clermont-Tonnerre comes from a place of defiance, and her fearless instincts surge through every frame. Each time you think you have this movie pegged, it’ll knock you for a loop.

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