The Child Remains strives to be a unique amalgamation of horror themes, however, it ultimately results in a confounded muddling through mismatched generic set pieces.
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What are critics saying?
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Los Angeles Times by Noel Murray
A pair of superb performances — from Suzanne Clément as a traumatized pregnant journalist and from Shelley Thompson as a suspiciously solicitous B&B proprietor — can’t overcome an excess of premise in “The Child Remains,” a well-made Canadian gothic horror film that just has too much on its mind.
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Dementedly written, and directed as though it was under the influence of something stronger than cough syrup.
38
The too-obvious/too-slow “Remains” doesn’t frighten, doesn’t engross and doesn’t remain on the memory much past the closing credits.