Limosin's elliptical narrative, meant to correlate with his protagonist's blank-slate mind, instead plays as desultory and just plain confused.
What are people saying?
What are critics saying?
A bizarre combo of upscale French erotica studded with good-humored kinky sex scenes.
New York Daily News by Jack Mathews
Imagine that, instead of trying to solve his wife's murder, the amnesiac character in Christopher Nolan's "Memento" had gone on "50 First Dates." That comes close to describing French director Jean-Pierre Limosin's playfully sexy tale of memory lapse.
Despite its philosophical pretensions, the film is fairly lightweight, and its good-looking cast and sleek production values are more memorable than any of its heady themes.
This sounds an awful lot like "Memento." But unlike that movie, the French-Swiss-Spanish-Italian co-production Novo opts for a Eurotrash sex comedy approach instead.
The New York Times by Stephen Holden
Sleek, attractive and ultimately vapid.