Village Voice by Alan Scherstuhl
The movie — based on Les Standiford’s novel — is pleasantly simpleminded, often assembled from parts of other movies.
✭ ✭ ✭ Read critic reviews
Ireland, Canada · 2017
Rated PG · 1h 45m
Director Bharat Nalluri
Starring Dan Stevens, Christopher Plummer, Jonathan Pryce, Justin Edwards
Genre Comedy, Drama, History
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In 1843, despite the fact that Dickens is a successful writer, the failure of his latest book puts his career at a crossroads, until the moment when, searching for inspiration and confronting childhood memories, a new character is born. This character, a bitter and lonely old man, is so vivid and so human, and his story so inspiring, that they would change the meaning of Christmas forever.
Village Voice by Alan Scherstuhl
The movie — based on Les Standiford’s novel — is pleasantly simpleminded, often assembled from parts of other movies.
As a portrait of an author on the verge of a breakthrough, this is a run-of-the-mill, occasionally clumsy biopic; as for contextualizing Christmas, it never explains how it functioned before Dickens and only briefly mentions how it changed after him.
The New York Times by Ben Kenigsberg
Brightly lit and anchored by Mr. Stevens’s infectious, live-wire performance, the film, directed by Bharat Nalluri (“Miss Pettigrew Lives for a Day”), nevertheless proceeds like a television holiday special, designed to distract children while winking at their parents.
A well-intentioned but wearisome jolt of prefab holiday cheer.
Slant Magazine by Eric Henderson
Since “humbug” is already spoken for by Ebenezer Scrooge, “opportunistic” would be the most apt word for The Man Who Invented Christmas.
The Hollywood Reporter by Frank Scheck
There are many pleasures along the way, including the effective evocation of Victorian-era London.
Los Angeles Times by Gary Goldstein
The Man Who Invented Christmas is a jaunty, amusing patchwork of truths, half-truths and pure fiction that cleverly combine to recount the story of the whirlwind creation of Charles Dickens' famed novella "A Christmas Carol."
The Seattle Times by Moira Macdonald
It’s a pleasant Christmas-season offering; both mild (read: family-friendly) and sweet.
In addition to being a rather fine addition to the Christmas-movie canon, the film marks a useful teaching tool — a better option for classroom screenings than any of the previous “Carol” adaptations, once students have finished reading the novella.
Screen International by Tim Grierson
The more that Nalluri tries to connect Dickens’ personal breakthroughs to those of his fictional character, the less authentic it feels. Inadvertently, this forgettable bauble ends up illustrating just how rare and precious true inspiration is.
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