Di Gregorio's dialogue and performers are once again marked by a spontaneity and ease; who else working today treats so-called "middle age" with such jocular honesty?
What are people saying?
What are critics saying?
A dry dream of postmenopausal-male sexual lethargy, this comedy's least musty ideas are among its worst.
Unfortunately, he's retained his previous work's touristy mondo italiano! vibe, all whimsical tunes and postcard scenery, while piling on enough ogling shots of nubile young women to make Hugh Hefner feel uncomfortable.
Los Angeles Times by Kenneth Turan
Rueful, funny and wise, The Salt of Life is a comedy not of errors but of the tiniest of missteps. A warm yet melancholy film of quiet yet inescapable charm, it has a feeling for character and personality that couldn't be more delicious.
The Salt of Life is easygoing and naturalistic, but clearly a work of imagination.
The Hollywood Reporter by Natasha Senjanovic
In The Salt of Life, the actor-writer-director again plays his own alter ego, and gives us another deceptively small, vaguely autobiographical story with universal resonance, in more technically assured packaging.
Village Voice by Nick Pinkerton
Di Gregorio's performance sets the tone of dim hope and quiet forbearance, telling the story through reactions: an ever-accommodating smile that shades into a wince; sparkling, heavy-lidded eyes betrayed by vexed brows.
Movieline by Stephanie Zacharek
On the surface, The Salt of Life may seem like a movie made just for old folks. The trick is that it really is about the youth that stays with you, even when your aging body is working hard to convince you otherwise.
The New York Times by Stephen Holden
Mr. Di Gregorio wrote the screenplay with Valerio Attanasio, and this movie is a richer variation of his small, exquisite 2010 film, "Mid-August Lunch."