The documentary tries to pin Africa's suffering on capitalism, but dances around the real problem. Africa starves because corrupt governments own the natural resources and export them to buy weapons to keep their people at bay.
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What are critics saying?
The New York Times by Dana Stevens
Mr. Sauper has produced an extraordinary work of visual journalism, a richly illustrated report on a distant catastrophe that is also one of the central stories of our time.
Somewhat haphazardly organized yet fascinatingly detailed and enriched by the candor and dignity of its shockingly deprived interview subjects.
Darwin's Nightmare strings together cruel ironies into a work of harrowing lucidity. It illuminates the sinister logic of a new world order that depends on corrupt globalization to put an acceptable face on age-old colonialism.
New York Daily News by Elizabeth Weitzman
Sauper captures a world in which life and death are treated with equal practicality - and disregard. His camera is unflinching; your gaze may not be quite so steady.
The Hollywood Reporter by Frank Scheck
An uncompromising portrait of how global capitalism can exploit an area's resources to the point of near annihilation.
The Globe and Mail (Toronto) by Jennie Punter
As confusing, horrific and unsettling as a nightmare can be, at least you wake up and the memory fades. Darwin's Nightmare, tragically, is not a dream, but rather a haunting, beautifully made reality check well worth waking up to.
Far more than mere fish tale, Sauper's dark, devastating documentary profiles a socio-ecological nightmare with unimaginable consequences, and it's one of the best films about the ugly reality of the global marketplace.
Darwin's Nightmare would be just another "ain't it a shame" piece were it not for the way Sauper gradually reveals how all this human misery might play out.