Several stories, or scraps of stories, are woven together in the making of Jellyfish ("Meduzot"), linked by common themes and a shared sense of humor, poetry and loss.
What are people saying?
What are critics saying?
The New York Times by A.O. Scott
The film’s spirit is refreshingly playful and sweet.
Chicago Reader by Andrea Gronvall
The overlapping stories pulse with a tidal rhythm, the film's sensibility flowing between serious and wry, and there are memorable turns from Assi Dayan as the waitress's henpecked dad and Tzahi Grad as a cop with a nonchalant attitude toward babysitting.
An Israeli movie with neither politics nor religion--and only one casual, if fraught, mention of the Holocaust--bespeaks an underlying desire for normality that's as poignant and fantastic as Keret and Geffen's modest, shabby Tel Aviv settings.
Entertainment Weekly by Lisa Schwarzbaum
Marvelously inventive, often-ironic Israeli storyteller Etgar Keret and his life- and workmate, Shira Geffen, spin in Jellyfish a dreamy, arty, alluringly cockeyed tale involving three unrelated women in Tel Aviv.
TV Guide Magazine by Maitland McDonagh
Not for all tastes, but produces haunting juxtapositions.
Jellyfish is the kind of film that will ring true for some viewers, while striking others as too slight and precious.
Although it runs 78 minutes, it feels like 78 hours.
There's enough material here for a miniseries, but the directors keep the proceedings to 78 brisk minutes without making the viewer feel cheated.