Slant Magazine by Diego Semerene
The film is an interminable saga full of soap-operatic plot twists involving quickly broken marriages, sexual assault, a secret porn career, terminal illness, and a quasi lesbian love affair.
✭ ✭ ✭ Read critic reviews
Japan · 2016
2h 59m
Director Shunji Iwai
Starring Haru Kuroki, Go Ayano, Cocco, Hideko Hara
Genre Drama
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A lonely young woman falls quickly in love and decides to marry. However, she must hire actors to pretend to be her friends and family on her wedding day. After her failed marriage she takes on a new job, only to discover that the people she works for aren't who they seem to be.
Slant Magazine by Diego Semerene
The film is an interminable saga full of soap-operatic plot twists involving quickly broken marriages, sexual assault, a secret porn career, terminal illness, and a quasi lesbian love affair.
The Hollywood Reporter by Elizabeth Kerr
The three-hour runtime seems justified when Iwai lets his characters fragile, burgeoning relationships develop at a leisurely pace and revel in the little details. At other times the pic is simply self-indulgent, allowing scenes to slip from emotionally naked to embarrassingly overwrought in a flash. Iwai served as his own editor and it shows.
Artfully subverting the spirit of such soulful, diaphanous romances as “Love Letter” and “Hana and Alice” from earlier in his own career, Iwai exposes the desperation and deceit involved in the search for love.
Los Angeles Times by Robert Abele
Overlong yet alluring.
Screen International by Sarah Ward
Whether quietly watching Nanami gain her sense of self scene-by-scene, or plunging into more dramatic territory whenever Amuro or Mashiro appear, the end result slowly builds, grows and blossoms into an astute, insightful, multi-layered character study.
RogerEbert.com by Simon Abrams
I was also so disturbed by this film that I felt I had to rewatch certain scenes just to confirm that the emotional exhaustion I experienced while watching it wasn't just a personal preference, but rather a problem I had with what Iwai and his collaborators do in the film.
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