Beyond the Black Rainbow is the kind of movie whose cool-looking trailer entices you to midnight screenings, but the film will bore you so profoundly you'll fall asleep halfway and wake up disoriented during the closing credits.
What are people saying?
What are critics saying?
The New York Times by Jeannette Catsoulis
Unless you're among those who still drop acid as a midnight-movie apéritif, your enjoyment of this retro oddity remains far from guaranteed.
New York Daily News by Joe Neumaier
Add two more stars here if zoning out to weirdo-dreamy, '80s public-access TV with a synthesizer soundtrack is your idea of midnight fun. Because this ambitious, but not uninteresting, failure has that in its DNA.
His late father directed "Rambo: First Blood,'' but Panos Cosmatos' debut feature couldn't be more different - this would-be cult classic is the movie equivalent of gazing at a lava lamp for nearly two hours.
Austin Chronicle by Marjorie Baumgarten
As filmmaking debuts go, Panos Cosmatos' Beyond the Black Rainbow is as striking as it is nuts.
Beyond the Black Rainbow has a doomy, dreamy, druggy, draggy feel that's impressively sustained - until it becomes oppressive, then pointless, then laughable.
Slant Magazine by Simon Abrams
Something like a trippy grindhouse homage whose familiar images are refracted through a prism of blacklight posters, Jodorowsky films, and even Rob Zombie's grungy psychotropic sensibility.