Hicks's shtick is so good and his life so ordinary that it's hard to escape the feeling that we might've been better off just watching a compilation of the groundbreaking funnyman's work.
What are people saying?
What are critics saying?
There's a great deal of promise and potential in the idea of a documentary study of Hicks. Unfortunately, American falls short of anything beyond the ordinary. Part of the problem is the difficulty in resisting the temptation to squeeze the comic's story into the familiar confines of a VH1 Behind the Music-style template.
The New York Times by Jeannette Catsoulis
An oddly sterile documentary inspired by a particularly fecund imagination, American: The Bill Hicks Story recounts a bright-burning life while leaving us mostly in the dark.
A hagiographic portrait of the standup comic and social satirist who never quite reached beyond cult status in the U.S., American: The Bill Hicks Story might have impressed more of the unconverted had it included more performance footage of its subject.
The Hollywood Reporter by John DeFore
A portrait of the short-lived artist that will move fans while letting the uninitiated witness enough onstage highlights to leave them wanting more.
Like "Man In The Moon," American applies a thick gloss of reverence and sentimentality to the story of a comic pioneer who made his living challenging the kinds of neat, convenient, slickly packaged narratives presented here.
Boxoffice Magazine by Sara Maria Vizcarrondo
This foreign view of the subject is anthropologically useful, however the film's photo animation technique transforms family photos (used extensively to fill in historical plot holes) into something that resembles zombie-resurrection.
Portland Oregonian by Shawn Levy
There simply isn't enough footage of their protagonist just being Bill Hicks the guy and not Bill Hicks the comic. Surely he had some interviews or other artifacts they could have used along with all the comedy routines.