Hong Kong, United States · 2016
Rated R · 1h 48m
Director Ewan McGregor
Starring Ewan McGregor, Jennifer Connelly, Dakota Fanning, David Strathairn
Genre Crime, Drama
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Set in postwar America, a man watches his seemingly perfect life fall apart as his daughter's new political affiliation threatens to destroy their family.
Groping for grand tragedy and finding only actorly melodrama, shooting for political contrarianism but landing instead on reactionary conventionalism, American Pastoral is as flat and strangled as its source is furious and expansive.
A drab and airless affair, it effectively ignores the substantial political commentaries inherent in its story, and fails to land the emotional punches of the one it's intent on telling.
The Playlist by Gregory Ellwood
All of “Pastoral’s” problems could have been slightly forgiven if McGregor showed a hint of inspiration behind the camera.
Ewan McGregor’s inert adaption smooths out the Philip Roth novel's eruptions of self-loathing and doubt.
The Film Stage by Jared Mobarak
Many will place blame on Ewan McGregor simply because he may have been ill-prepared to handle such a dense work as his directorial debut. Fault should lie with him as captain, but besides an artificial, mannered feel throughout, my main issue concerns John Romano’s script being so intent on solving the central mystery of Mary’s (Dakota Fanning in adulthood) vanishing.
The Guardian by Jordan Hoffman
What we have on our hands is a dud, but there are a few grace notes that save it from being an unmitigated disaster.
Roth’s material should have been brewed into a larger indictment of authority in freefall—a few incidental Nixon mentions don’t count—and we’re left to suck on actorly handwringing in lieu of larger ideas.
American Pastoral tries to be loyal in its adaptation, but the material is film-resistant and flat as cardboard.
Screen International by Tim Grierson
Ewan McGregor’s directorial debut eventually finds its own emotional core, zeroing in on the tragedy that befalls a seemingly perfect life once a man’s wilful daughter torpedoes it.
The Hollywood Reporter by Todd McCarthy
Ewan McGregor’s directorial debut, in which he also stars, is decently performed and delivers some potent scenes of inter-generational discord between a concerned father and a radicalized daughter who becomes a murderous terrorist. But the filmmaking is prosaic when it should crackle with tension and disruptive undercurrents,
Fame is very difficult to control
Margherita has to deal with the inevitable and still unacceptable loss of her mother.
A couple who has lost their son start a campaign of resistance in Nazi Germany.
One night, Isabel hosts a dinner for her scriptwriter husband to convince an actor to star in his movie.
The story of American poet Emily Dickinson from her early days as a young schoolgirl to her later years as a reclusive, unrecognized artist.
One condition. Everyone's fate.
I have to see her. I have to see her. I have to see her. I have to see her.
Christa Päffgen, stage name Nico, the muse of Andy Warhol, singer with the band Velvet Underground, and a woman of legendary beauty.