Kill Your Friends

The Playlist by

For 100 minutes, Kill Your Friends apes a myriad of styles, trying to pass off imitation as innovation.

Variety by Andrew Barker

The film has its razor-sharp grace notes and a seductive stylishness, neither of which can override its relentlessly adolescent worldview.

CineVue by Ben Nicholson

It's a rancid cocktail of misogyny, homophobia, and much more besides, that never convinces as scathing satire as much as back-slapping celebration.

The Guardian by Benjamin Lee

The difficulty with black comedy is avoiding overkill and Kill Your Friends is a dictionary definition of the word.

Slant Magazine by Christopher Gray

Thanks to a strong performance by Nicholas Hoult, all reptilian sinew and heroin-chic vacuity, it keeps threatening to become more dynamic and self-critical than its final result.

The Film Stage by Christopher Schobert

It is Nicholas Hoult, and Nicholas Hoult only, who keeps one watching. Even here he commands the screen, and shows himself able to carry a film. Next time, perhaps it will be a good one, and not one with such a needlessly tired message.

Empire by David Hughes

Nicholas Hoult does his best to bring Niven's weapons-grade scumbag to life, in a film hobbled by amateurish acting and absence of production value.

Screen International by Fionnuala Halligan

For a film about the music business, it’s interesting that Kill Your Friends sticks so faithfully to one note throughout; it’s as if Niven fears any glimpse of humanity might risk the project’s integrity, but the lack of human empathy ultimately becomes this project’s biggest handicap.

Movie Nation by Roger Moore

This could have been a lighter picture, sort of a semi-dark Nick Hornby spin on music. That might have been less accurate, but more watchable.

The Hollywood Reporter by Stephen Dalton

Kill Your Friends remixes a brutally funny novel into an entertaining if somewhat familiar big-screen tale of amoral, chemically-fuelled decadence.