Ivan Fitzgibbon’s film is so steadfastly blithe that one yearns for a flicker of pretension, some small sign that there’s a guiding principle or purpose.
What are people saying?
What are critics saying?
It takes more than a few good actors playing bad apples to sustain such familiar romps through regurgitated material. There’s no bounty to be plucked from Perrier’s Bounty. The treasure chest has long since been emptied.
New York Daily News by Elizabeth Weitzman
There's no one to root for but the loan shark, who makes an excellent point: It's no fun when somebody takes your cash and gives you nothing in return.
The Hollywood Reporter by Frank Scheck
If there's one defining characteristic among English criminals, it's that they apparently are a quirky lot. That, at least, is the conclusion one draws from the endless series of comically tinged British crime thrillers that have come down the pike during recent years, of which the mediocre Perrier's Bounty is the latest example.
Los Angeles Times by Gary Goldstein
Proves a fast-paced and enjoyable if violent diversion that revels in its quirky characters, committed performances and involving twists.
A comedy that forgot to install the funny.
A splendidly plotted if thematically unsurprising comedy. The pleasure comes not from fresh insights, but from a droll script and expertly timed performances.
Loose, flinty, and a little in love with itself, Perrier’s Bounty struts the fine line of self-consciousness drawn by neo-gangster capers like "The Usual Suspects," "In Bruges" and "Lock, Stock and Two Smoking Barrels."
The New York Times by Stephen Holden
A poor man’s “In Bruges” that frantically chases itself in circles.