Time by Judy Berman

A revelatory series. .... Totally gripping. Raucous, insightful, and darkly witty, it’s a portrait of belated liberation sure to invigorate viewers at any stage of life.

i by Julia Raeside

Every member of the cast works in perfect unison, rounded out by the impressive talents of Sue Johnston and Anne Reid as Aunt Mary and Nancy, women in the next stage of life, one with probable dementia.

The A.V. Club by Jenna Scherer

No series has plumbed the heart and soul of middle-aged ladies quite like Riot Women, an ensemble dramedy from Happy Valley creator Sally Wainwright. Fierce, funny, and profound.

The Times by Carol Midgley

Sally Wainwright’s Riot Women (BBC1) started with a dramatic punch to the face and kept up the raucously high energy of a pneumatic jackhammer until the end of the episode.

The New York Times by James Poniewozik

A lack of subtlety is no vice in punk rock, but it can wear in a six-episode drama season. Fortunately, Wainwright is too curious about her characters to sketch them in their simplest terms. By the end of its first season (a second one has already been ordered), the series has expanded beyond its putting-on-a-show premise to map out a rich network of the women’s family and social relationships.

Decider by Joel Keller

Riot Women is a poignant and often funny look at women trying to break out of the bubbles they’re put in during their 50s and 60s, with the added fun of a great ’90s-heavy soundtrack and songs written specifically for the series.

Los Angeles Times by Robert Lloyd

“Riot Women” is real; not so much in its narrative, with its backstage musical tropes, pointed points and a coincidence that would make Dickens think twice, but in its character details, and in the contracting and expanding space between the players — the tales within the tale.

Screen Rant by El Kuiper

What really stuck with me is that each of these characters, including Nisha, finds some form of closure. These women deserve a win, and I felt genuinely uplifted by the end of Riot Women, eager to see more.

The Independent by Nick Hilton

Like its characters, Riot Women takes its time to come into its own – but, when it does, it is full-throated and glorious.

The Guardian by Lucy Mangan

Like all Wainwright’s best work (and work by the likes of Debbie Horsfield and Kay Mellor before her), Riot Women covers a lot of ground without getting bogged down or leaving the viewer feeling shortchanged.