Paste Magazine by Lacy Baugher

Be not afraid. I doubted that a second season of this show could work, or that it was even something any of us necessarily needed to see. But after basking in its soft, warm joy—a true rarity in our current bleak television landscape—I cannot deny that its existence feels like nothing so much as divine providence.

Paste Magazine by Amy Glynn

The script is, unsurprisingly, annunciation-grade, luminously funny and strikingly poignant—and considering the principal characters include angels, demons and witches, (and a tween Antichrist) it’s as human as they come. ... But as good as everything is, as good as everyone is, the locus of this translation’s magic is the to-perish-for chemistry between Michael Sheen’s angel Aziraphale and David Tennant’s demon Crowley.

The Independent by Nick Hilton

Good Omens season two might be all questions and no answers, but, all the same, it’s a scriptural spectacular.

Decider by Joel Keller

Good Omens returns after a four-year hiatus with a good story and the same funny chemistry between its stars.

The Telegraph by Ed Power

With season two, Good Omens carries on into the afterlife with glorious chutzpah and an absurdity that sinks its hooks in with glee.

Radio Times by Louise Griffin

It's hard to sense that Aziraphale and Crowley are ever truly in danger, unlike our last outing with them. But, instead, we're given deeper insight into our dysfunctional pair of heroes, a beautiful tale, and an ending that might ask more questions than it answers. In other words, ineffable. Just how we like it.

The New York Times by Mike Hale

Diverting and mostly pleasurable. ... The BBC Studios production is studded with piquant performances by veteran actors, mostly British.

The Daily Beast by Nick Schager

Gaiman manages the not-inconsiderable feat of capturing his narrative’s race-against-the-clock propulsion, all while making plenty of time for an overstuffed cast of characters and numerous detours, rewinds, asides and demented flights of fancy. Good Omens boasts an assured sense of tone from the very start. ... Good Omens wouldn’t soar without its two leads, who are so perfectly (mis)matched that they immediately elevate the series to must-see status.

Los Angeles Times by Lorraine Ali

The story itself falls apart and reassembles several times per each hour-long episode, but when viewed as a collection of clever sketches by master performers it’s a fun frolic — and with a cast of biblical proportions.

The Hollywood Reporter by Tim Goodman

The end result is a feel-good romp and creative triumph that is easily digestible and never flags in search of entertainment.