Wall Street Journal by John Anderson

It is rigorously intelligent, absolutely thrilling, and--unless the kids are about 17--definitely not for children. ... One of its virtues is its fidelity to the source material—dark, filled with dread, marked by stinging indictments of fascism, fundamentalism and cruelty. Being so true to itself, it’s utterly absorbing--once you get past the fact that the principal characters are rabbits. ... All the performances are convincing.

IndieWire by Ben Travers

Despite cheap computer-animation, director Noam Murro (“300: Rise of an Empire”) and writer Tom Bidwell (“My Mad Fat Diary”) evoke a strong sense of empathy for the animals while crafting a stirring limited series built on big, frightening themes of life and death along with more humble thoughts on love, friendship, and socialism.

The Hollywood Reporter by Tim Goodman

Allowing for the sweetness in Adams' original work to come out in this modern take is part of what makes the BBC-Netflix version of Watership Down work best. The conversations and character development of the rabbits are the bricks that build the story. And while the animation is at first a downside--seemingly retro, too saturated with brown and black tones, making many of the rabbits indistinguishable from one another--that limitation allows the voice work to shine, which of course relies heavily on Adams' lovely descriptions.

Collider by Dave Trumbore

Luckily, the story is so good that it shines above the shoddy animation, but the 1978 adaptation is still a better bet and the original story itself is still the best. Give this one a watch only if you can stomach the visuals and the visceral material.

The New York Times by James Poniewozik

Emotional but blandified adaptation. ... If the Netflix Watership Down fails its potential, it benefits from strong voice performances (Boyega is expressive as the bluff but loyal Bigwig) and a solid central story. Even this easy-listening version, which lays on the romance, jokes and limp dialogue (“They may not have wanted a war, but by Frith, that’s what they’ll get”), has moments of grandeur and the sweep of a fantasy epic.