RogerEbert.com by Scout Tafoya

In the end, all that can be relied upon are objects and gestures. The littlest things that tie us to each other. The film often slows to a standstill to show children playing, cars passing, people talking and streets emptied of traffic.

The New York Times by A.O. Scott

Ms. Holland, working from a script by Stepan Hulik, a Czech screenwriter born in 1984, turns a sprawling story into a tight and suspenseful ethical thriller.

The Playlist by Rodrigo Pérez

Political thriller, procedural, emotional drama and rousing cry for basic human rights and values.

Village Voice by Alan Scherstuhl

For all the hurtling plot, and its occasional workaday scenecraft, Burning Bush proves an engrossing historical drama, low-key but in its final moments devastating.

The Hollywood Reporter by Stephen Dalton

A deluxe multi-character drama that blends real history with semi-fictionalized spy thriller and soap opera elements, Burning Bush feels in places like an extended Czech remake of the Cold War-themed German Oscar-winner The Lives of Others.

The Dissolve by Jordan Hoffman

Burning Bush is a rare accomplishment. It’s a political film with clear heroes and villains, and true to its HBO roots, it works as a fleet-of-foot juicy plot-delivery system.

The A.V. Club by Mike D'Angelo

On the whole, though, Burning Bush is an absorbing docudrama that maintains a gratifying equilibrium between hope and cynicism. You can fight City Hall. It just takes a while.

Slant Magazine

The decentralized narrative benefits from the film's original conception as a miniseries, with plenty of time to draw us into the morass that was the communist state.

Slant Magazine by Ela Bittencourt

The decentralized narrative benefits from the film's original conception as a miniseries, with plenty of time to draw us into the morass that was the communist state.