Syms’ debut is anything but desperate; au contraire, this is the mark of a relaxed, confident filmmaker with a long, bright future.
What are people saying?
What are critics saying?
Paste Magazine by Andrew Crump
Syms packs The African Desperate with pleasing ingenuity that facilitates its complex perspective; this is a film that must be sat with to fully appreciate.
The New York Times by Devika Girish
Drawn from Syms’s own experiences as a visual artist, The African Desperate is less an art-school parody as it is a portrait of existential incongruity, where contempt mingles with deep affection.
The Film Stage by Leonardo Goi
The African Desperate is an electrifying, riveting odyssey, and Stingily—with her deadpan humor and no-nonsense swagger—makes its ending all the more cathartic.
The African Desperate is the work of an artist who has moved fairly seamlessly from the gallery to the cinema and has more than enough vitality and insight to join the canon of films about the Black experience in higher education
With its everyday setting and social interactions mixed with an obtrusive, innovative soundtrack (composed by the band Aunt Sister, along with Colin Self and Ben Babbit) and hyperactive visual style, The African Desperate straddles the line between shock and banality.
Slant Magazine by William Repass
That The African Desperate is a send-up of art school is beyond doubt, but what’s less clear is just how far the satire goes.