The best thing about the nod-inducing Death Warrant is a muscleheaded psycho called the Sandman. That figures, since you're likely to take a nap or two waiting for hero Jean-Claude Van Damme to stop taking his lumps and start busting heads. [17 Sep 1990, p.2D]
What are people saying?
What are critics saying?
Miami Herald by Juan Carlos Coto
Director Deran Sarafian and cinematographer Russell Carpenter give Death Warrant a great gloomy feel and know how how to use extreme close-ups as effective eye candy. But candy is about all we get. [18 Sep 1990, p.C3]
San Francisco Chronicle by Mick LaSalle
Jean-Claude Van Damme is the best part of every movie he's in. Then again, when you consider the pictures he's been in, maybe that's not saying enough. [15 Sep 1990, p.C3]
Washington Post by Richard Harrington
All the characters mumble, perhaps out of sympathy for the Dutch Van Damme's ongoing struggle with their native language. As for plot, it unravels more quickly than the mystery facing Van Damme.
The New York Times by Vincent Canby
All of the performances are terrible, but Joseph Porro's costume design is arresting. Mr. Van Damme and the other prisoner look as if they had been outfitted by an upscale outlet of a Banana Republic-type men's boutique.
Utterly mindless, but on its own snap, bang, and wallop terms, it works well enough.