The overwrought, uncontrolled sci-fi thriller Automata is a disappointing example of a film which lacks the imagination to follow persuasively through on its engaging initial premise.
What are people saying?
What are critics saying?
Village Voice by Chris Packham
Automata has moments of tremendous visual and storytelling elegance which are punctuated with ham-fisted characterization and thunderingly terrible acting.
Slant Magazine by Clayton Dillard
Much like a spate of recent summer blockbusters, there's a tiring sense that every single facet of the narrative has to be rendered with truculent solemnity.
New York Daily News by Elizabeth Weitzman
The performances range wildly from high (Banderas) to low (Birgitte Hjort Sørensen as Jacq’s pregnant wife) to you-must-be-kidding (Melanie Griffith as both a scientific genius and a prostitute android).
Even for sci-fi, some logic has to enter the plot, which also needs to be devoid of major holes if it’s not to fall into ridiculousness, and that, unfortunately, is where Automata lies.
The early scenes of Gabe Ibáñez’s impressively mounted but uneven thriller do some terrific dystopian world-building.
Automata approximates the look and feel of idea-driven science fiction, but it doesn’t have any actual ideas. That future looks bleak.
McClatchy-Tribune News Service by Roger Moore
Yet another “Blade Runner” knock-off, a sci-fi dystopia about robots getting too smart for humanity’s own good on an already sun-cooked Earth.
Once the film hits the desert, a little before the halfway point, Jacq has the energy sucked out of him and so does the film, limping along while he repeatedly throws histrionic fits.