Canada · 2019
Rated R · 1h 28m
Director David Hackl
Starring Gina Carano, Brendan Fehr, Anton Gillis-Adelman, Sydelle Noel
Genre Action, Thriller
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Claire (Gina Carano), an ex-military specialist, comes home to the recent news of her father’s passing only to find herself at odds with her defiant 13-year-old son, Charlie (Anton Gillis-Adelman). With the news that Claire has inherited a large sum of money from her father’s business Charlie is kidnapped for a ransom. Instead of seeking help Claire takes one of the kidnappers, Larsen (Brendan Fehr), as a hostage and forces him to lead her on a perilous journey to rescue her son from the mysterious figure only known as the Father (Richard Dreyfuss). The trek takes Claire deep in the mountains of the Yukon, near the US – Canadian border as a winter storm approaches. As the odds of survival start to mount against Clair she has no choice but to form an unlikely alliance with Larsen in order to save her son and survive the wild of the far North.
While decent in capable directorial hands – or as a supporting character – based on the evidence on display here, Carano doesn’t seem quite capable of carrying a film yet, let alone pull a dreary feature like Daughter of the Wolf out of the murk.
The New York Times by Bilge Ebiri
With facile plotting — you could fashion a pretty deadly drinking game out of all the scenes in which someone gets knocked out, or is conveniently left for dead — and humdrum action, the lack of depth or dimension becomes fatal.
These filmmakers are eager to explore the delicate facets of a forceful, fully-formed woman, and they do so with imagery that’s both stunning and subtle.
The Hollywood Reporter by Frank Scheck
A former MMA star, Carano clearly has the impressive physicality and charisma to compete with the male stars in this arena. But she's going to need far better vehicles than this humdrum effort.
Los Angeles Times by Noel Murray
Daughter of the Wolf could’ve used a jaw-dropping set-piece or two (or three or four), but Hackl does at least embrace the challenge of shooting outside in the cold, and the movie’s moderately better for it.
The narrative is built on oddly theatrical twists, a film that begins in mystery and then sheepishly sets out to EXPLAIN every mystery away in the middle acts.
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