New Times (L.A.) by Bill Gallo
The cornerstone of this fascinating film is a peculiar but absolutely solid love story. In terms of intellectual and emotional stimulation, who could ask for more?
✭ ✭ ✭ Read critic reviews
Germany · 2000
Rated R · 2h 15m
Director Tom Tykwer
Starring Franka Potente, Benno Fürmann, Joachim Król, Lars Rudolph
Genre Romance, Drama
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Young nurse Sissi lives a secluded life entirely devoted to her patients at Birkenhof asylum. Her first encounter with ex-soldier and drifter Bodo has a lasting impact. He causes an accident in which he provides first aid, Sissi wonders if he may be the man of her dreams. But when she finds him weeks later she is rejected, as Bodo is stuck somewhere between a traumatic past and a criminal future.
New Times (L.A.) by Bill Gallo
The cornerstone of this fascinating film is a peculiar but absolutely solid love story. In terms of intellectual and emotional stimulation, who could ask for more?
Goes on too long, and much of it is hooey, but it’s hard not to have a good time.
(Tykwer's) unpredictability has become predictable, and the only thing genuinely uncanny here is the unsettling — and unintentional — sense of déjà vu.
Los Angeles Times by Kevin Thomas
A heady yet disciplined work, a dazzling fable of love, destiny and redemption.
Portland Oregonian by Kim Morgan
Every once in a while a picture comes along that captures not just love, but romance in all its fear, yearning, fantasy, eroticism and unexpected epiphanies. German filmmaker Tom Tykwer's The Princess and the Warrior is one such film.
Austin Chronicle by Marc Savlov
Tykwer ends the film on a bizarre note that caught me off guard, a too-literal bit of salvation that is more bothersome than revelatory.
Village Voice by Michael Atkinson
Throughout, Tykwer reaches for mysteries he has no idea how to evoke, relying instead on his actors' empty stares.
San Francisco Chronicle by Mick LaSalle
It's dreary and self-indulgent but has its crystalline moments.
The New York Times by Stephen Holden
Deeply whimsical beneath its poker face, The Princess and the Warrior has the structure of an elaborate mind-teasing puzzle.
Philadelphia Inquirer by Steven Rea
Lacks the gimmicky hook that made "Run Lola Run" an arthouse hit, but it doesn't lack for ideas, nor for images that will sweep you up in their boldness and have the resonance of dreams.
Everyone wants to be found.
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