Very modest, but surprisingly sweet. The naive escapades of a group of American students studying in France for a year is given a charming, somewhat corny treatment by the authors of AMERICAN GRAFFITI--Huyck (who also directed) and Katz.
What are people saying?
What are critics saying?
The New York Times by Janet Maslin
Parts of French Postcards have considerable charm, even if it is charm with the consistency of bunny-fluff.
The Globe and Mail (Toronto) by Jay Scott
French Postcards is a minor, mechanical remembrance of insignificant times past - specifically, of days spent by (young) Americans in Paris. But it is also quite funny and the performers more than make up for the script's creaking joints: there is a freshness and vitality in the work of the largely unknown actors that is invigorating. [27 Oct 1979]
Chicago Sun-Times by Roger Ebert
It was produced, written and directed by Willard Huyck and Gloria Katz, who also wrote American Graffiti, and it has the same sharp memory for those specific moments when young people suspect they are doing certain things for the last times in their lives. So it is bittersweet, of course -- bittersweet, that indispensable street you travel through adolescence on.