Turn Me On, Dammit!(Få meg på, for faen)

Time Out by

There's plenty here to recommend; so what if its explicitness and femcentric sexuality turn off some prudish viewers, dammit!

Salon by Andrew O'Hehir

This yarn about an innocent-looking but desperately horny teenage girl might not have that much commercial upside, but its bittersweet, faintly depressed brand of Nordic humor is definitely enjoyable.

Slant Magazine by Andrew Schenker

Nothing here is wrong, but beyond pointing out that sexually charged teenage girls are likely to be misunderstood in an oppressive small town, there's nothing that's especially insightful here either.

NPR by Ian Buckwalter

There's an undeniable sweetness here, evident in the vulnerability that peeks through Alma's disaffected facade, and in the unconventional grand romantic gesture that turns the film's climax into a playfully dirty spin on "Say Anything's" boombox scene.

The New York Times by Jeannette Catsoulis

With its soft, bleached images and occasional detours into black-and-white stills, Turn Me On, set in an unspecified recent past, has a gentle oddness as unforced as its performances and as inoffensive as its dialogue.

Wall Street Journal by Joe Morgenstern

Here's a debut feature from Norway, a coming of age comedy so fresh and droll that the actors seem not to have been directed at all, but simply observed as they went about their odd lives.

Village Voice by Melissa Anderson

Like its title, Turn Me On, Dammit! is a jokey pseudo-provocation.

Boxoffice Magazine by Sara Maria Vizcarrondo

It's a mixed blessing to see these dramas play out in Norwegian, surrounded by what we tend to imagine are more liberal perspectives on sex.