20
[Parillaud] remains a totally uninteresting figment of Besson's blinkered movieland imagination, especially when she's in the company of Karyo and Anglade, who provide balance to her overacting.
What are people saying?
What are critics saying?
40
Parillaud is expressive but rather mundane. She's best at playing sullen, but there are so many French actresses who specialize in this particular talent -- the French have mastered the apathetic pout -- that she seems generic.
10
Chicago Reader by Jonathan Rosenbaum
The talentless but irrepressibly trendy Luc Besson ("Subway," "The Big Blue") dreamed up this idiotic story that seems vaguely inspired by Kubrick's (not Anthony Burgess's) "A Clockwork Orange."
25
San Francisco Chronicle by Mick LaSalle
The picture, for all its slickness and style, is empty, empty-headed and emotionally false… [It] has no more depth than "Pretty Woman" and occupies the same moral landscape. [5 Apr 1991, Daily Datebook, p.E11]
50
Disappointing. [6 Mar 1991, Life, p.9D]
63
The Globe and Mail (Toronto) by Rick Groen
Always stylish and occasionally thrilling and never thoughtful.
88
Chicago Sun-Times by Roger Ebert
Surprisingly touching.
90
The New Republic by Stanley Kauffmann
The making of the film is so slick, the acting so exceptional, that we find ourselves trapped - caring about what happens to the three principals. [6 May 1991, p.26]