About the only thing to praise in Daughters is the way Seyrig looks: she is stunning in soft focus, chiffon, and egret. The dialogue and plot demands are unsurmountable burdens even for an actress as accomplished as she is. [01 Jul 1971, p.51]
What are people saying?
What are critics saying?
Slant Magazine by Eric Henderson
Kümel’s impulse to remain on the waning edge of eroticism turns what could’ve been another cheap thrill into a genuinely unsettling examination of the human race’s most happily sanctioned form of vampirism: man-woman couplings.
Strikingly shot and notable for Seyrig's monstrous, Dietrich-like character, Daughters is a psychosexual horror film that's gripping almost up to the very end.
Austin Chronicle by Marjorie Baumgarten
Although slowly paced, it is always stunning to look at -- decadent and perverse in that certain Eurotrashy way.
Chicago Sun-Times by Roger Ebert
A fairly stylish adult vampire movie, and Delphine Seyrig (last seen wandering about a resort hotel in Last Year at Marienbad) is a most satisfactory vampire.
This psychologically dense, genuinely erotic vampire thriller lacks fangs, but it has plenty of bite.