El Bola

Christian Science Monitor by David Sterritt

This drama has won an armload of international prizes, including multiple honors in Spain's equivalent of the Oscar race, marking Mañas as a director with a bright future.

Chicago Reader by J.R. Jones

This is quick and unpredictable storytelling, its dialogue simple but tough. Alberto Jimenez is excellent as the conscience-stricken father, whose duty to respect the law tests his relationship with his own son, and both kids, Juan Jose Ballesta and Pablo Galan, give passionate, committed performances.

New York Daily News by Jami Bernard

Could easily serve as an instructional video for repressive regimes who have not yet learned you can get more with honey than with vinegar.

Village Voice by Leslie Camhi

At once subtle and visceral, the film never succumbs to the trap of the maudlin or tearful, offering instead with its unflinching gaze a measure of faith in the future.

TV Guide Magazine by Maitland McDonagh

A sober, earnest drama about child abuse.

The A.V. Club by Noel Murray

When El Bola isn't drawing cheap sentiment from the sight of a bruised and scarred little boy, Mañas raises vexing questions about how and why parents leave lasting impressions on their children, and whether good intentions really matter.

Chicago Tribune by Robert K. Elder

Despite an abrupt ending, Mana gives us compelling, damaged characters who we want to help -- or hurt. Perhaps most important, El Bola forces us examine our personal motivations for each impulse and their consequences.

The New York Times by Stephen Holden

As blunt as it is in depicting child abuse, El Bola is a movie steeped in an ambiguity that lends its conflicts a symbolic resonance.

New York Post by V.A. Musetto

Spanish director Achero Manas' El Bola shows how the boys' bond leads to salvation of a sort for the needy Pellet. He does so with great sensitivity, never sinking into exploitation.