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Private Fears in Public Places(Cœurs)

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France, Italy · 2006
2h 0m
Director Alain Resnais
Starring Sabine Azéma, Laura Morante, Pierre Arditi, André Dussollier
Genre Drama, Romance

Six people look for love in Paris, despite typically having their romantic aspirations dashed at every turn. In their lonely and mostly unsuccessful search, the stories of an engaged couple torn apart by drinking problems, a salesman enthralled by his religious co-worker with a secret vice, and a man answering numerous personal ads with no luck in his dates showing up, all intertwine.

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60

Variety by

Despite a perfect cast of Resnais regulars plus the master's own impeccable crafting, the characters fail to grip, and with approximately 50 short scenes, development comes in fits and starts.

50

Salon by Andrew O'Hehir

I found the interlocking bitterness of Ayckbourn's play irritating and overly neat, and these people don't seem to belong to Paris or London or anywhere else, at least not anytime in the last 20 years.

100

Premiere by Glenn Kenny

Resnais employs all the tools of studio-bound moviemaking, silent-era to post-modern, in a way that is not only is consistently dazzling in a purely visual sense, but contains an empathy that lifts the picture to tragic heights even at those points at which it seems practically weightless.

100

Chicago Reader by Jonathan Rosenbaum

Alain Resnais' 2006 adaptation of a British play by Alan Ayckbourn is a world apart from his earlier Ayckbourn adaptation, "Smoking/No Smoking"; that film tried to be as "English" as possible. But this time Resnais looks for precise French equivalents to British culture, and what emerges is one of his most personal works, intermittently recalling the melancholy "Muriel" and "Providence."

80

The New York Times by Manohla Dargis

The film is accessible, pleasant, dreamy, a touch goofy and melancholic. Its modernist gestures are little more than stylistic tics, but there's an image of snow falling on two clasped hands that is almost rapturous. The role of the artist remains, for Mr. Resnais, the role of a lifetime.

83

The A.V. Club by Scott Tobias

Resnais and Ayckbourn care primarily about observing these characters' private and public faces, who they are and who they present themselves as. To that end, they've achieved a mood of enchanting intimacy.

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