Despite one or two nice moments and the naturalistic tone, it's all a bit of a slog.
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40
60
All in all, this is a carefully modulated plea for tolerance and mutual understanding.
80
Showing a keen, compassionate eye for human observation, Özge reveals how each of his character's lives is as gridlocked as the cars on the bridge.
60
The result is a fascinating, if somewhat scattered, meta attempt to straddle modernism and realism, creating an aesthetic purgatory oddly similar to the film's geographical one.