Stray

The Globe and Mail (Toronto) by

By handing the spotlight, and even the camera, over to the bold and beautiful Zeytin without guiding the viewer too aggressively, Lo has created something worth seeking out for anyone who wants to expand their world view – and perhaps also lower it a few feet.

The New York Times by Jeannette Catsoulis

The filmmaker's eyes may rarely leave the dogs, but what she’s really looking at is us.

Original-Cin by Jim Slotek

A day in the life of Zeytin is, for the most part, an agreeable experience that doubles as a dog’s-eye-view of humans.

Los Angeles Times by Kimber Myers

Lo’s humane film helps us glimpse the lives of those who are often overlooked, whether they walk the streets of Istanbul on four legs or two.

CineVue by Matthew Anderson

Following the freewheeling day to day life of dogs living on the streets of Istanbul, the initial novelty and intrigue of this extraordinary documentary broadens further to a profound meditation on how mankind treats our so-called best friends, and one another.

Paste Magazine by Natalia Keogan

Told through a series of metropolitan vignettes, documentary filmmaker Elizabeth Lo’s Stray deftly weaves together a sprawling narrative of human and canine vagabond life on Istanbul’s city streets.

Screen Daily by Nikki Baughan

There’s something strangely beautiful about short filmmaker Elizabeth Lo’s concise, allegorical debut feature documentary, which starts off as a fly-on-the-fur exploration of Istanbul’s stray dog epidemic and becomes a lament about the difficulties of finding somewhere to belong in an increasingly fractured, and fractious, world.

The Hollywood Reporter by Sheri Linden

Through a finely calibrated ebb and flow of insight and emotion, Lo offers a fresh perspective on life in the shadows — the freedom as well as the neglect — building toward an end-credits coda, a song from the heart, that's not to be missed.

Austin Chronicle by Steve Davis

From its opening tracking shot of four furry legs sauntering through a bed of colorful pansies as cars and trucks whoosh nearby, Stray is a documentary of unhurried pleasures.

Variety by Tomris Laffly

Throughout the mostly wordless “Stray,” we wonder with compassion and considerable self-critique whom the society uplifts and supports vs. whom it chooses to disregard and deem invisible.