Parked

Slant Magazine by

The film takes dramatic material that sounds fairly standard-issue to begin with and proceeds to uncover precious little of genuinely fresh intrigue within it.

Time Out by David Fear

The fact that director Darragh Byrne has laden things with a Celtic Whimsy 101 score and a sketched outline of a script makes it even tougher for Meaney to lift this film out of its social-drama rut.

The Guardian by Henry Barnes

Parked putters, but doesn't go anywhere.

The Hollywood Reporter by John DeFore

A very sympathetic turn by Colm Meaney both lends box-office appeal and helps Byrne pull back from the saccharine possibilities inherent in the premise.

Total Film by Paul Bradshaw

Packing two terrific turns and an offbeat spirit, this coming-of-middle-age comedy is an unexpected treat.

Variety by Ronnie Scheib

This engaging character study functions best as a two-hander: The male leads build a wholly believable, offbeat co-dependency, while their interactions with others tend toward the more generic.

The New York Times by Stephen Holden

Parked collapses into sentimentality that not even an actor of Mr. Meaney's dignity and restraint can redeem from mawkishness.