Slant Magazine by Clayton Dillard
Alejandro Jodorowsky never manages to transcend the sense that he's indulging himself and participating in a hollow introspection unworthy of his prior cinema.
✭ ✭ ✭ ✭ Read critic reviews
Chile, France · 2013
2h 10m
Director Alejandro Jodorowsky
Starring Brontis Jodorowsky, Pamela Flores, Jeremias Herskovits, Alejandro Jodorowsky
Genre Drama, Fantasy
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“Having broken away from my illusory self, I was desperately seeking a path and a meaning to life.” This phrase perfectly sums up Alejandro Jodorowsky’s biographical project: reconstituting the incredible adventure of his life. Alejandro Jodorowsky was born in 1929 in Tocopilla, a coastal town on edge of the Chilean desert, where this film was shot. It was there where he discovered the fundamentals of reality, as he underwent an unhappy and alienated childhood as part of an uprooted family.
Slant Magazine by Clayton Dillard
Alejandro Jodorowsky never manages to transcend the sense that he's indulging himself and participating in a hollow introspection unworthy of his prior cinema.
The A.V. Club by Ignatiy Vishnevetsky
As a close look at Jodorowsky’s work reveals, the line between “cult artist” and “cult leader” can be blurry. The line only gets blurrier with The Dance Of Reality, Jodorowsky’s first movie in 23 years, and the best thing he’s done, film-wise, since "The Holy Mountain."
Jodorowsky throws everything and several kitchen sinks into the film, yet it all has its place, and the overall effect is not of the headachey mess it would be in anyone else’s hands, but of a kind of joyous, absurdist melange of highbrow concepts, personal memoir and potty humor.
New York Daily News by Joe Neumaier
Jodorowsky turns his own youth into an odd, hypnotic mishmash.
A full-bodied and mischievous autobiography in the spirit of Federico Fellini’s "Amarcord," Alejandro Jodorowsky’s return to filmmaking after 28 years of financial frustration explodes with great ideas.
Village Voice by Michael Atkinson
The Dance of Reality may be Alejandro Jodorowsky's best film, and certainly, in a filmography top-heavy with freak-show hyperbole and symbology stew, the one most invested in narrative meaning.
It’s more gentle and fanciful in tone, and though it’s as episodic and digressive as Jodorowsky’s best-known work, the various pieces add up to a clear, not-so-odd narrative.
Los Angeles Times by Robert Abele
At times exquisitely attuned to the commingling of the bitterly funny and tragic, and at other times an eye-roll-worthy collection of ready-made fetish videos (Flores is one brave avatar of outré sexuality), The Dance of Reality is nonetheless proof that the legendary provocateur is still a font of out-there invention.
At more than two hours, The Dance of Reality unquestionably has its longueurs, but on balance it is alive with enough images and ideas for several movies — as if Jodorowsky were afraid he might have to wait 20 more years before making another.
The Hollywood Reporter by Stephen Dalton
The Dance of Reality is a rich pageant of nostalgic narcissism laced with New Age mysticism and fortune-cookie wisdom.
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