It may not break new ground when it comes to this genre, one involving betrayal and heavily-accented mob bosses and brotherly love, but when a familiar path is tread with such confidence, you just may want to take another stroll.
What are people saying?
What are critics saying?
The Hollywood Reporter by John DeFore
The picture rarely makes that business much to look at, providing some kind of energy to offset the actor's appropriate reserve. It feels rather plodding as a result, failing to turn the boxer's conflicting loyalties into the stuff of crime-flick high drama.
Brothers by Blood is an incomprehensible, frustrating mess that barely touches on its narrative themes and completely wastes the talents of its actors.
A superficial force eats at this movie from the inside, including the way that it’s a brawny script with nil visual grit, and a style that mostly announces itself with sporadic neo-noir lighting.
It’s only Guez’s second film, although he’s written others (including the similarly genre-subverting zombie movie “The Night Eats the World”), and there’s enough promise here — especially on the performance front — to look forward to future projects.
Austin Chronicle by Richard Whittaker
It's hard to say that any other edit would be better, because Brothers by Blood is one single, grey mass to the bone, an unfortunate use of a sterling cast and a book that deserves a more textured retelling.
There’s no suspense, no flow to the story, little pathos in the flashbacks and a lot of dead spots where the story stops cold. I like everybody on the screen here, just not in this movie — not in this cut of it anyway.