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Children of Men

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United States, United Kingdom, Japan · 2006
Rated R · 1h 49m
Director Alfonso Cuarón
Starring Clive Owen, Clare-Hope Ashitey, Chiwetel Ejiofor, Julianne Moore
Genre Action, Drama, Science Fiction, Thriller

The year is 2027, and the last child ever born has died. The human population can no longer reproduce, and extinction is on the horizon. When a former activist meets a pregnant woman, he agrees to help her find sanctuary, where the birth of her child may save humankind.

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What are critics saying?

70

Newsweek by David Ansen

Children of Men leaves too many questions unanswered, yet it has a stunning visceral impact. You can forgive a lot in the face of filmmaking this dazzling.

80

Variety by Derek Elley

Picture more than delivers on the action front -- not in bang-for-your-buck spectacle but in the kind of gritty, doculike sequences that haul viewers out of their seats and alongside the main protags.

90

Village Voice by J. Hoberman

It's a measure of Cuarón's directorial chops that Children of Men functions equally well as fantasy and thriller. Like Spielberg's "War of the Worlds" and the Wachowski Brothers' "V for Vendetta" (and more consistently than either), the movie attempts to fuse contemporary life with pulp mythology.

70

Chicago Reader by Jonathan Rosenbaum

The film gradually devolves into action-adventure, then the equivalent of a war movie. But the filmmaking is pungent throughout, and the first half hour is so jaw-dropping in its fleshed-out extrapolation that Cuaron earns the right to coast a bit.

100

Los Angeles Times by Kenneth Turan

Made with palpable energy, intensity and excitement, it compellingly creates a world gone mad that is uncomfortably close to the one we live in. It is a "Blade Runner" for the 21st century, a worthy successor to that epic of dystopian decay

80

The Hollywood Reporter by Ray Bennett

Owen carries the film more in the tradition of a Jimmy Stewart or Henry Fonda than a Clint Eastwood or Harrison Ford. He has to wear flip-flops for part of the time without losing his dignity, and he never reaches for a weapon or guns anyone down. Cuaron and Owen may have created the first believable 21st-century movie hero.

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