The Middle of the World(O Caminho das Nuvens)

TV Guide Magazine by

Although not what American studios generally mean by "family fare," this drama is actually excellent family viewing -- it both opens a window onto another culture and, through Antonio, speaks the universal language of teen angst.

Variety by Eddie Cockrell

Debuting helmer Vicente Amorim provides a determined forward movement, which, while lacking in cultural explanation, gives the saga uplift and punch.

The Hollywood Reporter by Frank Scheck

In the depiction of this unlikely journey -- it is supposedly based on a real-life story -- the film awkwardly veers between naturalism and a striving for poetic myth.

The A.V. Club by Keith Phipps

When they (the family) arrive at their destination, the story arrives at an ending that's neither obvious nor interesting, kind of like the film leading up to it.

Village Voice by Michael Atkinson

Director Vicente Amorim's dramatic instincts evoke after-school specials (most of the drama entails the clan's brooding teenager chomping at the parental bit), and his visual ideas are restricted to aping "City of God's" fish-eye ambience and hectic editing.

Film Threat by Phil Hall

A dull film, inspired by a true story.

The New York Times by Stephen Holden

Wants to be both a realistic family drama and a mythical odyssey but lacks the substance to be much more than a vignette.