Canada · 2017
Rated R · 1h 41m
Director Jay Baruchel
Starring Seann William Scott, Alison Pill, Marc-André Grondin, Wyatt Russell
Genre Comedy
Please login to add films to your watchlist.
During a pro lockout, Doug "The Thug" Glatt is injured and must choose whether to defend his team against a dangerous new enemy, or be there for his wife as she prepares to give birth to his daughter.
In some ways Goon: Last of the Enforcers actually manages to improve upon its forebear, connecting on jabs at a rate roughly equal to that of the earlier film but this time — if you’ll pardon yet more in the way of this figurative pugilism — mixing in some gut-punches, too.
A film that’s a lot like the last one, just not quite as funny or endearing. If you loved Goon, you’re gonna kind of like Goon: Last Of The Enforcers.
The Globe and Mail (Toronto) by Barry Hertz
Doesn't quite reach the heights of the original film, which found surprising pathos in Doug's tale of sweet good guy to brutal goon. But it delivers on nearly every other scale, including standout performances from returning players Scott, Alison Pill and Liev Schreiber, as well as some bits of comic gold courtesy of series rookies Wyatt Russell, T.J. Miller and Jason Jones.
Jay Baruchel's Goon: Last of the Enforcers faces an uphill climb that's inherent to retreads, as it's almost impossible for the film to honor its predecessor without lapsing into contrived and preordained formula.
Bloopers under the closing credits reveal how much improvisation was involved here — and how that’s a poor substitute for a good script, no matter how talented the cast.
The Film Stage by Jared Mobarak
Goon: Last of the Enforcers does ultimately deliver on the promise its predecessor made with a gooey, heartfelt center surrounded by a profanity-laced candy shell.
The Hollywood Reporter by John DeFore
Though not as fresh or funny as its predecessor, this feature directing debut for actor Jay Baruchel stays true to its spirit and will please its most enthusiastic fans.
Los Angeles Times by Michael Rechtshaffen
A raunchy, ploddingly unfunny comedy sequel to 2012’s equally crass but disarmingly endearing “Goon.”
The funny lines don’t land — partly because they’re weak and partly because Baruchel the director couldn’t arm-twist his actors into giving him more.