Though Mungiu's presumed two shorts have the most individual feel, the other helmers -- Ioana Uricaru, Hanno Hoefer, Razvan Marculescu and Constantin Popescu, all feature novices -- show a plethora of styles within the so-called "Romanian New Wave."
What are people saying?
What are critics saying?
Slant Magazine by Andrew Schenker
The first four of the film's 1980s-set episodes are shorter in length and more anecdotal in nature than the last two and deal primarily with the pageantry and inflexible customs behind the regime with a perspective at once amused and bemused.
Flashes of bleak humour makes this wry portrait a compelling experience.
Sardonic as it may be, Tales From the Golden Age is basically affirmative - its true subject is resilience. Romania suffered under a regime of dangerous stupidity. Drawing on popular memory, Mungiu has orchestrated a contribution to local folklore, a suite of stories in which those rendered witless by oppression were compelled by circumstance to live off their wits.
The Globe and Mail (Toronto) by Liam Lacey
Though the threat of exposure and incarceration lurk behind every story, the characters' ingenuity and humour serve as impudent alternatives to authoritarian stupidity and brutality.
The New York Times by Stephen Holden
The strongest tales embrace a strain of barnyard humor that is matched by the robust performances of actors who convey an earthy jocularity. The movie doesn't shy away from comparing these hardy, weather-beaten rustics to their livestock.
The collection is a mixed bag, although there are no clunkers.