The Cleaners

The Globe and Mail (Toronto) by

When this brisk, disquieting doc debuted at Sundance, these censorship farms were largely secret, but Facebook has started to bow to public pressure and open up some of the process. The troubling questions remain.

Screen International by Allan Hunter

A timely film, capable of sparking vigorous debate.

Variety by Amy Nicholson

The Cleaners has the effect of scanning three dozen grim tweets. There’s not much to latch onto besides an overwhelming sense of helplessness; like the internet itself, it’s crowded with opinions but lacking in intimacy.

Film Threat by Bobby LePire

Topical resonance is all that the movie musters, as it changes subject matter on a whim and doesn’t give the audience enough background information on the issues or the interviewees to make a whole lot of sense.

The Film Stage by Daniel Schindel

The Cleaners ably raises questions around the issue without following through on tying them together, often seeming like it’s simply bouncing around to cover all the relevant topics until it’s time to wrap up. That’s a letdown, but it gives us some noteworthy moments along its way.

Original-Cin by Jim Slotek

The Cleaners is a doc of remarkable access and a feast for thought.

The Hollywood Reporter by John DeFore

Eighty-eight minutes is not nearly enough time to give full attention to every thread of critique here, but The Cleaners does a respectable job of fitting its unruly anecdotes into a coherent stream of thought.

Los Angeles Times by Robert Abele

The Cleaners makes clear how when it comes to the Internet, the more private corporations decide what we all get to “like,” the worse off we’re all going to be.