Hosoda is a born maximalist with a big heart, and while his most ambitious moonshot to date isn’t quite able to arrange all of its moving parts together along the same orbit, it’s impressive to see how many of them remain moving all the same.
What are people saying?
What are critics saying?
The Hollywood Reporter by Deborah Young
Perhaps the most ambitious film to date by Japanese animator Mamoru Hosoda.
Mamoru Hosoda’s cyber fairy-tale is basically wall-to-wall bangers, all backdropped by virtual worlds that wash over you in waves of world-building so detailed and epic, they’d make William Gibson’s eyes pop.
The Telegraph by Robbie Collin
Belle is a beautifully observed, dazzlingly animated sci-fi fairy tale about our online-offline double lives – it’s Hosoda’s finest film since 2012’s Wolf Children, and perhaps his best to date.
At first, it appears that Hosoda merely wants to remake Beauty And The Beast, but there are surprises in store that shouldn’t be spoiled. Let it be said, however, that what makes Belle affecting in its later stretches is Hosoda’s subversion of that fairy tale’s narrative — in particular, its notion of true beauty and the reasons why the Beast has grown so withdrawn and distrustful.
This anime retelling of beauty and the beast is a cyber-musical epic. Mamoru Hosoda never fails to make me cry, and I don't cry very often when I watch movies. There's something about the earnestness of the way he treats technology as the fulcrum of our relationships with others that makes his films especially powerful. While I think this movie doesn't have the staying power of Summer Wars - I think Belle is just a tinge sappy - it's still a great film that will make you think and feel.