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Fantastic Four

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United States, Germany, United Kingdom · 2015
Rated PG-13 · 1h 40m
Director Stephen E. Rivkin, Simon Kinberg, Josh Trank
Starring Miles Teller, Michael B. Jordan, Kate Mara, Jamie Bell
Genre Action, Adventure, Science Fiction

Four young outsiders teleport to a dangerous universe, which alters their physical form in shocking ways. Their lives irrevocably upended, the team must learn to harness their daunting new abilities and work together to save Earth from a former friend turned enemy.

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What are critics saying?

40

Empire by

As an origin story that’s all origins and no story, there’s a hollow, stale feeling to this occasionally admirable attempt to Nolanise Marvel’s dysfunctional family.

49

TheWrap by Alonso Duralde

Director Josh Trank, whose debut feature “Chronicle” put a smart new spin on superhero tropes, has assembled a quartet of engaging, charismatic performers and stranded them in a miasma of exposition and set-up that sinks the movie.

50

Variety by Brian Lowry

Ultimately, Fox’s stab at reviving one of its inherited Marvel properties feels less like a blockbuster for this age of comics-oriented tentpoles than it does another also-ran — not an embarrassment, but an experiment that didn’t gel.

40

The Guardian by Henry Barnes

The cast are some of the most promising actors of their generation, but what chemistry there is between them is swept away by wave after wave of expository dialogue and ludicrous exclamation.

25

The Playlist by Kevin Jagernauth

In turning his back on the familiar tropes of blockbuster comic book movies, Trank doesn't have a clear new identity for Fantastic Four to distinguish itself with, and the result is a movie rich with possibilities, but trapped in the basic structure of a superhero movie, with no idea of how to wholly circumvent traditional expectations.

25

Miami Herald by Rene Rodriguez

Fantastic Four is so bereft of all the things we expect from a superhero movie — humor, excitement, adventure, awe — that it plays like a drawn-out pilot episode for an upcoming TV series no one would ever watch again.

20

The Hollywood Reporter by Todd McCarthy

A sense of heaviness, gloom and complete disappointment settles in during the second half, as the mundane set-up results in no dramatic or sensory dividends whatsoever.

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