Shiri(쉬리)

San Francisco Chronicle by

Suffers most from being overlong.

New York Daily News by Elizabeth Weitzman

Americans, for better or worse, have already seen plenty of budget-busting action flicks with half-baked political pretensions.

Wall Street Journal by Joe Morgenstern

The action looks impressive, even when nothing much is happening beyond local explosions or shattering glass, and the drama turns, affectingly, on a mysterious female sniper with a partitioned soul.

New York Post by Jonathan Foreman

The girl you see stabbing and shooting prisoners and fellow trainees makes the killer from "La Femme Nikita" look like a wuss.

Los Angeles Times by Kevin Thomas

In recent years, South Korean cinema has fully flowered, producing both uncompromising highly personal films and crisp, intelligent genre movies, with Shiri the most spectacular example of the latter to date.

Chicago Tribune by Michael Wilmington

A beautifully tooled action thriller about love and terrorism.

L.A. Weekly by Paul Malcolm

Though the two-hour film can go slack with excess explication, Shiri compensates with an overheated drive that forces the myopia of current events toward a broader field of vision.

Film Threat by Phil Hall

A thoroughly awful Korean production which vainly attempts to recast the slam-bang conventions of American action-adventure flicks into the sticky world of contemporary Korean politics.

Philadelphia Inquirer by Steven Rea

Compelling, kinetic, fast and furious.

Chicago Reader by Ted Shen

Shamelessly derivative and politically expedient.