Wetlands can be an unusually intriguing, funny and entertaining visual experience.
What are people saying?
What are critics saying?
The Hollywood Reporter by Boyd van Hoeij
What makes the film so accessible despite its controversial subject matter is Wnendt’s total command of tone, which is never vulgar or intentionally out to shock.
Slant Magazine by Diego Semerene
For its general ludic obsession with all things generally thought of as disgusting, the German film Wetlands is stuck in the anal stage.
Dank with the effluvia of a proudly unhygienic, sex-obsessed German teen, this frenetic adaptation of Charlotte Roche’s notorious 2008 best-seller is a standing dare to anyone who thinks the movies have gotten too tame.
Helen's extreme behavior is at once a reaction to, and rebellion against, her mother and father (and their separation), which, along with a captivating go-for-broke lead turn by Juri, lends the film a poignancy to help offset the juvenile shock-tactic impulses.
Take note, Lars von Trier: This is how you do a truly funny, subversive movie about a woman’s obsession with the human body and sex.
Wetlands might have landed with the thud of empty shock value were Helen not such an innately engaging character, or Juri so commanding in the role.
German director David Wnendt and his co-writer, Claus Falkenberg, are determined to package one teenager’s unhygienic coming-of-age into a slick, funny, accessible romantic comedy. They mostly pull it off.