Village Voice by Alan Scherstuhl
At least we have this gem, the rare tease of what could have been that actually proves satisfying enough on its own.
Village Voice by Alan Scherstuhl
At least we have this gem, the rare tease of what could have been that actually proves satisfying enough on its own.
The A.V. Club by Ben Kenigsberg
While it’s heartbreaking that the movie never got made (son Brontis Jodorowsky, who would have played Paul Atreides, is particularly poignant imagining his alternate life as a superstar), Jodorowsky’s Dune posits that the raw materials nevertheless left an enduring mark on cinematic sci-fi, providing the basis for famous aspects of "Alien," "Star Wars," and "Contact."
Slant Magazine by Jesse Cataldo
This is a fanboy movie, one more engaged with the excitement of possibility than that of reality, and whatever the noxious connotations of that form of film appreciation, this particular project does a pretty fantastic job of stirring up enthusiasm.
Director Pavich, his first time at bat, has crafted an unalloyed pleasure of a documentary, especially for those of us who care about "Dune," about sci-fi, and about the value and power of creative passion.
It never quite elevates itself above something like a really well produced behind-the-scenes featurette on a high end Blu-ray. But if you’ve got that Jodorowsky T-shirt aping the Judas Priest logo, you may as well start lining up now.
Frank Pavich’s fun documentary captures an unbowed, exuberant Jodorowsky, who recalls his team of “spiritual warriors” with the camaraderie of a battle-scarred veteran.
The doc consists of interviews with the absurdly grandiose Jodorowsky (whose fans include Kanye West) plus acolytes like current director Nicolas Winding Refn and film nerds, all of whom walk us through storyboards and tell us how awesome this “greatest film never made” would have been.
The main problem with Jodorowsky’s Dune is that a significant amount of what makes Jodorowsky’s work special gets lost in Pavich’s fairly ordinary approach to the documentary form.
Pavich does an admirable job tracking down surviving parties (except for the suspicious-sounding cast), opting for a humorous rather than indignant tone to the interviews.
The Hollywood Reporter by Stephen Dalton
The tone veers into film-fan geekery in places, but Jodorowsky is such a natural showman and irrepressible egotist that his ancient anecdotes never become tedious.