This isn't a B-movie, a C-movie or even a Z-movie. In fact, there isn't a letter far enough down in the alphabet to cover Popcorn. [01 Feb 1991, p.22]
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What are critics saying?
Popcorn is a "Phantom of the Shlopera" - the kind of corny B-movie midnight campers can sink their plastic fangs into. [01 Feb 1991, p.21]
Los Angeles Times by Kevin Thomas
Popcorn is such fun for lovers of schlock (intended or otherwise) that it hardly matters where it is set.
San Francisco Chronicle by Mick LaSalle
The problem with Popcorn is that it's just as ridiculous as the horror movies it satirizes. [02 Feb 1991, p.C3]
Entertainment Weekly by Owen Gleiberman
Though it isn’t even trying to scare you, this is a very nifty black-comic horror movie, one of the rare entries in the genre with some genuine wit and affection.
Washington Post by Richard Harrington
Beware of horror films that begin with a bad dream -- they usually go on that way as well. Case in point: Popcorn, which has several good ideas that, unfortunately, go unrealized.
A kernel of cleverness lurks in Popcorn. But it's the kind that sticks in your throat. [01 Feb 1991, p.5D]
The New York Times by Vincent Canby
A horror film that is less mindless than most in that it is both funny and gross.
Seattle Post-Intelligencer by William Arnold
Popcorn is not scary enough to work as horror, not funny enough to work as comedy, not cute enough to work as camp, not skilled enough to work as a tribute to the bad movies of the '50s, and so indifferently acted by the cast (including Tony Roberts, Dee Wallace Stone and Ray Walston) that it just seems a waste of everyone's time. [01 Feb 1991]