A film is in trouble when, despite the presence of an A-list cast and a well-regarded director, the best thing in it is a partly digitized bear.
What are people saying?
What are critics saying?
ReelViews by James Berardinelli
An Unfinished Life isn't original, but, for those who enjoy this sort of drama, it's an opportunity to remember how, in the right circumstances, on-screen characters can touch our hearts.
It's corny, but the film might have worked anyway, had anyone brought a lick of conviction to the business. But Lopez--once such a promising actress--now does little but pose, and everyone else seems to have figured out that the film wasn't going anywhere before the cameras started rolling.
The Hollywood Reporter by Kirk Honeycutt
The film never realizes its dramatic potential, choosing to take predictable story paths with obvious characters.
Entertainment Weekly by Lisa Schwarzbaum
An Unfinished Life is inert, kaput -- a middlebrow mush of platitudes rather than an okay corral of distinct characters with heartbeats. It's awful not in an exciting, uncontrolled way but in an overly controlled, narcotized way.
Dallas Observer by Luke Y. Thompson
Perhaps realizing that rare performances in snoozers like "The Horse Whisperer" and "The Last Castle" weren't doing him (Redford) any favors, he seems to have entered a new phase in his career, with a wealth of old man roles now open to him. He was very good in last year's "The Clearing;" he's better in this.
As with the director's other films, all that keeps Unfinished from being a complete, treacly bore is its robust performances.
The 68-year-old actor (Redford) segues into full-blown irascible-old-man mode, and though the transformation isn't quite as compelling as it sounds, it's easily the best thing going for this Lasse Hallstrom–directed, Wyoming-set weepie.