60
An Arabian Nightish saga told with some briskness and opulence for the childish eye, yet ultimately falling short of implied promise as an adventure spree.
What are people saying?
What are critics saying?
60
In the grand pantheon of Sinbad movies, those pleasurable Arabesques of silly beasts, big swords and scantily clad maidens, this lower league Ray Harryhausen stop-motion thriller squeezes between the better Eye Of The Tiger and the worse Seventh Voyage.
70
Chicago Reader by Jonathan Rosenbaum
Gordon Hessler directed this 1974 British feature, whose main raison d'etre is some first-rate “Dynamation” special effects from Ray Harryhausen, including a ship's figurehead that springs to life and Sinbad crossing swords with a six-armed statue.
70
The New York Times by Lawrence Van Gelder
Children who revel in clean-cut heroes, villains given to spells and incantations and the kind of special effects that breathe life into mandrake root, ships' figure-heads, centaurs, griffins and statues of Kali (always a deity beloved of evil forces) will probably find it a happy concoction for passing a rainy afternoon.
75
Chicago Tribune by Robert K. Elder
Miniatures in The Golden Voyage of Sinbad, created by Ray Harryhausen, may appear at first glance to be worlds away from the CGI creatures in The Phantom Menace and Jurassic Park. But it was Harryhausen's work that taught such filmmakers as George Lucas and Steven Spielberg to dream of creating ever-more-perfect fantasy worlds. [22 Feb 2008, p.C2]