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France · 2021
1h 12m
Director Céline Sciamma
Starring Joséphine Sanz, Gabrielle Sanz, Nina Meurisse, Stéphane Varupenne
Genre Drama, Family, Fantasy
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After losing her grandmother, a young girl named Nelly helps her mother clean out her grandmother's house. When Nelly ventures into the woods around the house, she meets a girl her own age, and they begin to build a treehouse and start a remarkable friendship.
Its achievement lies in the space it creates for these children to open up a dialogue they rarely get to have – one that inevitably asks more questions, but that welcomes them as mature thinkers, keen to understand more about those raising them and the conditions in which they are being raised
It’s particularly resonant, packed with emotion and insight that will move the director’s admirers (who should consider watching it alongside their own children) and probably garner her some new ones.
The result is at once both the most ordinary and most enchanted thing that Sciamma has made so far, a wise and delicate wisp of a movie.
Petite Maman is, amongst other things, a beautiful ode to mother-daughter love and a melancholy acknowledgment of the distance that always exists in that relationship, when both parties are separated by age and responsibility.
The film evinces Céline Sciamma’s profound knack for visual economy, communicating much with silent looks and structured absences.
The Guardian by Peter Bradshaw
Céline Sciamma’s beautiful fairytale reverie is occasioned by the dual mysteries of memory and the future: simple, elegant and very moving.
In their children, parents often see reflections of the kids they once were. But daughters can’t access those same memories without a little magic. And that’s just what Petite Maman delivers: the spell that makes such a reunion possible, if only in our imaginations.
Like its dappled forested backdrop, the film is a thing of pensive beauty rather than volatile drama.
In the Donbass, war is called peace, propaganda is presented as truth, and hatred is declared to be love.
A hapless young woman's life is turned upside down when she finds out she is pregnant.
Struggling filmmaker Jérémie returns to his overbearing mother's home in the country while he picks up the pieces of his broken life.
At 72 minutes, Sciamma's latest film is sparse and delicate, but fully realized. Though it could have been gimmicky, the premise turns out to be simple and surprisingly straightforward, with Sciamma putting the focus on mother-daughter relationships above all else, making the film that much more magical and beautiful.
Without hesitation, when I am asked what my favorite film is, I say this one. This film holds such a special place in my heart, as I discovered it after my grandmother's passing. Despite its short runtime, Sciamma creates such vivid characters and relationships. All of her films feel like watching a directorial masterclass, but I recommend this film, in particular, to everyone. How beautiful it is that cinema helps us process moments in our own lives and aid in our grieving processes.